An online collection of links, articles and websites relevant to the teaching of Media and Cinema Studies in the 21st Century. Designed with the needs of the contemporary student in mind, this blog is intended to be a resource for teachers and students of the media alike.
Award-winning
art photographer Vijce is back with fresh inspiration, though it’s not
exactly the colourful work you may be used to from him. This time, the
German camera pro used a gloomy train station staircase as his main
subject, but the beauty he brought to the’ugly’ location is something we
can all learn from.
“To be honest, I’ve captured my favourite
street photos in the ugliest of all places,” Vijce wrote in his recent
PetaPixel feature. “Sure, it’s a bit more challenging to find the
extraordinary in the ordinary… but isn’t that what street photography is
all about?” Indeed, he somehow manages to capture the industrial grit
of the station in a softer, more ‘human’ light, an effect he insists can
be achieved in any place a photographer has available to them.
If you simply observe any length of
scenery for a while, no matter how depressing it may seem at first,
you’ll notice things that other passing by don’t see. You’ll notice
people that you would otherwise ignore. Vijce writes that this is the
key to finding unique shots in any situation, as well as experimenting
with perspective by laying down, walking around, and looking up.
Check out the surprisingly powerful photos below, as well as a special video at the end.
A long time ago I was a young art student, being told about the “Rule Of Thirds.” I was told it’s one of the most important fundamentals of art and photography, as it helps you get the right composition in your images. Overlay a tic-tac-toe/noughts and crosses grid over your image and crop or move your picture around so that the “points of interest” lie on the lines or line intersections. Sounds simple enough. It has been the basis of countless millions of images throughout the centuries. But is it perfect? No! Is there a better, more badass brother to the grid? Yes! Enter the Golden Ratio. Just to slow things down a bit, here’s what the Rule Of Thirds (I’ll call it the ROT grid from now on) looks like on a plain black background. Chances are you’re familiar with it, you’ve seen it pop up on the viewfinder of your camera or as an overlay in Photoshop or Lightroom. The grid is great for making sure your horizons are straight, for making sure there are subjects spaced out evenly throughout the frame and generally giving a bit of calm and order to the scene.
Here’s its superior, wiser, and elusive brother: the Golden Ratio, also sometimes called the Fibonacci Spiral. It is the result of when you do some complex maths on a rectangle to the tune of: a/b = (a+b)/a = 1.61803398875. There's no need to memorize this, you can find the overlays everywhere on the Internet to download and paste over your images, as well as being built in (but very well hidden) in Lightroom. To access this spiral, press R to get your cropping function open, then cycle through the available overlays with O until you find the spiral. Turning it around is done by pressing Shift + O. There are eight variations to it.
Looks kind of fun, a tight coil ending up off centre and providing a great host of lines to align your picture up to.
If I put the two overlays on top of each other, you can see how similarly they intersect. The tight spiral of the blue ratio almost marries up with the lower right intersection of the red overlay. There is a reason why the golden ratio gets oft pushed away because it’s murder to have all its eight variations displayed on a screen at once.
The lower right intersection of the red lines is pretty close to the tight curl of the spiral.
So if the golden ratio is more hassle than the ROT grid, why should I care about it? It all comes down to the long sweeping arc of the spiral. Putting your subjects along a curved line rather than straight grid lines draws the viewers eyes around the picture, forcing it to go closer to the tight coil of the spiral where you’ve placed your point of interest. It’s like a giant subliminal road sign pointing the eyes towards where you want them to go.
Here’s the reason they don’t put the spiral as an overlay on your camera. The spiral in just four of its eight possible orientations.
I hope I haven’t lost you yet. Here are a few real-world examples of the Golden Ratio in practice on a few of my images, one without an overlay and one with. Hopefully, you can see how many times the images follow the sweeping curves and conclude with the focal point of the image in the tight coil.
The line follows the body shape of the man on the bed and finishes at the woman’s stare.
This image focuses on the child, dominating the image in the foreground, larger than the adult mother.
This time the spiral passes through background objects like the chair and tripod, around the lighting and on to the crook of the leg of the photographer on the floor.
The focus is pulled towards the car’s open door, making the viewer ask the question “why?”
There are a whole host of different ways you can use the Golden Ratio—from portraits to landscapes… even sports and street photography. Start looking out for the Golden Section when editing your pictures in your favourite cropping post-production program and see how it can take your pictures from “yeah” to “oh yeah!” I have to admit, once I discovered my love for the Ratio, I started flicking back through the past few years of shoots to re-crop images in the Ratio. In my opinion, these newly-cropped pictures feel much more dynamic and interesting, and forcibly lead the eye around the pictures. As always, it’s entirely up to you to take my advice, but I just want to be able to show that there’s more to the world of art than a criss-cross of lines. Let's just call the Golden Ratio “The Rule Of Thirds, Plus Some More” (TROTPSM for short). About the author: Jon Sparkman is a Cheltenham, UK-based fine art photographer. He centres his work on conveying a message through his photography. You can find his work at www.sparkman.photography and follow him on Instagram and Twitter. This post was also published here.
ByCracked Readers We know that filmmaking is more than just a bunch of actors reading a
script while some dude points a camera and records it all. There's a
lot of careful direction and editing and cinematography going on that is
required to take your movie up another level from
made-for-TV-but-specifically-made-for-SyFy. But even further than that, there are myriad subtle touches a
filmmaker has to give to their movie to make it truly amazing -- some
that even go as far as tricking you into feeling a certain way while
you're watching a particular scene. We're talking about things like ...
Looks kind of fun, a tight coil ending up off centre and providing a great host of lines to align your picture up to.
The lower right intersection of the red lines is pretty close to the tight curl of the spiral.
Here’s the reason they don’t put the spiral as an overlay on your camera. The spiral in just four of its eight possible orientations.
The line follows the body shape of the man on the bed and finishes at the woman’s stare.
This image focuses on the child, dominating the image in the foreground, larger than the adult mother.
This time the spiral passes through background objects like the chair and tripod, around the lighting and on to the crook of the leg of the photographer on the floor.
The focus is pulled towards the car’s open door, making the viewer ask the question “why?”
