Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts

Friday, 17 August 2018

How to create a contact sheet

Proof multiple images on a single page. Simply select a folder that contains the images from your latest creative project.
contact-sheet-1408x792
Put all of the images you want on the contact sheet in one folder on your computer.
create-contact-sheets-figure-1
In Photoshop, go to File > Automate > Contact Sheet II.
create-contact-sheets-figure-2
In the Source Images section of the Contact Sheet II dialogue box, choose the folder that contains your images.
create-contact-sheets-figure-3
Under Document, set the Units, Width/Height, Resolution, and Mode (colour mode) for the contact sheet.
create-contact-sheets-figure-4
If desired, select the Flatten All Layers option.
create-contact-sheets-figure-5
Under Thumbnails, decide how you want your images arranged on the page.
create-contact-sheets-figure-6
Select the Use Filename as Caption option to label each image based on its file name.
create-contact-sheets-figure-7
Click OK and Photoshop will create your contact sheet. You can save or print it from the File menu.
create-contact-sheets-figure-8
October 6, 2014
Contributor: Erica Larson

Thursday, 8 June 2017

A Massive 30-Part Guide to Retouching Photos in Photoshop

Originally posted on PetaPixel by Jayphen Simpson

Visit the original site with links to the tutorials here:




Want a crash course in retouching photos in Photoshop? Here’s a 4-part video series that clocks in at 4.5 hours in total, making it a very comprehensive guide. There’s something here for everyone — even the most experienced photographers are sure to learn something from the series.


Nathaniel Dodson from tutvid goes over a total of 30 techniques from healing skin blemishes to creating skin texture, replacing skies, puppet warping, and even swapping out faces.

Photoshop is a very powerful piece of software, and it seems that no matter how long you’ve been using it for there’s always something new to learn. It’s always important to understand the tools that you’re working with, so this free series is an excellent way to boost your skill set.

Thankfully, Dodson has provided a full breakdown of the topics covered in the videos. We’ve included the videos below, along with timestamps matching the corresponding moment in each video.


Part One
  1. 01:28: Editing ANY Photo in the Camera RAW Editor
  2. 07:51: 8-bit vs. 16-bit Images
  3. 14:59: Lens Correction and the Transform Tool
  4. 19:02: White Balance and Chromatic Aberration Corrections
  5. 22:59: Slimming a Figure with Liquify
  6. 30:59: Healing Skin Blemishes
  7. 35:46: Get Rid of Flyaway Hairs
  8. 38:35: Making Simple and Complex Selections with Select Mask
  9. 47:17: The Power of Adjustment Layers

    Part Two
  1. 01:24: All About Levels
  2. 07:59: All About Curves
  3. 15:18: Blend Modes
  4. 19:56: Masking!
  5. 25:56: Retouching Eyes
  6. 29:49: Whitening Teeth
  7. 32:03: Changing Hair Color
  8. 37:14: Frequency Separation for Better Skin
  9. 44:37: Creating Skin Texture to Add Detail
Part Three
  1. 01:00: Reduce and remove wrinkles
  2. 02:41: Getting started with the healing brush
  3. 06:32: Dodging and Burning
  4. 07:58: How to do the burning
  5. 13:00: How to do the dodging
  6. 14:22: Double dodge and burn trick
  7. 15:48: Quick dodge/burn effect
  8. 18:47: How to Add a Tattoo Realistically
  9. 23:33: Masking the tattoo in place
  10. 27:06: Using adjustments to blend the tattoo
  11. 30:04: Blurring the tattoo to match
  12. 35:43: Select and Replace a Sky with Luminosity/Channel Masks
  13. 38:38: Using levels to get the perfect selection
  14. 42:44: Replacing the sky and watching the magic happen
  15. 45:02: Color Correction Techniques
  16. 45:28: Curves for quick corrections
  17. 49:58: Targeting and Changing Individual Colors
  18. 52:56: Correcting sunburn by targeting the reds
  19. 54:32: Four Ways to Create a Black and White Photo
  20. 01:00:03: Creating a Basic Composite Image and Blending Colors
  21. 01:14:26: Puppet Warp to Change a Person’s Figureo
  22. 01:00:03: Creating a Basic Composite Image and Blending Colors
  23. 01:14:26: Puppet Warp to Change a Person’s Figure
Part Four
  1. 01:00: Content-Aware Everything!
  2. 12:42: Smart Filters
  3. 18:04: Replacing/Swapping a Face
  4. 25:34: Smooth Wrinkles from Clothing
  5. 29:41: Color Grading
  6. 34:03: Colorize a Black and White Photo
  7. 44:34: Extreme Lens Correction
  8. 51:55: Lens Flares and Light Leaks
  9. 58:32: Global and Selective Sharpening
  10. 01:05:49: Cropping, Resizing and Saving Photos
Phew! Finish all of those and you’re well on your way to Photoshop mastery. If you manage that and are still hungry for more knowledge, check out the tutvid YouTube channel — it’s worth a subscribe.
(via tutvid via Fstoppers)

Friday, 14 April 2017

How To Create a Grungy Star Wars Propaganda Poster in Photoshop


How To Create a Grungy Star Wars Propaganda Poster in Photoshop


The design we’ll be creating in this tutorial is the ultimate anti-establishment message from the Rebel Alliance. It’s made in the style of the cheap flyers and posters made by underground movements, that rely on low-cost production methods like cutting and pasting photographs, hand-painted typography and low-quality photocopy prints. We’ll be creating this artwork 100% digitally, but with the assistance of handmade resources that will help to achieve the collage aesthetic.



Begin by downloading a paper texture and opening it up in Adobe Photoshop. Press CMD+A to Select All, followed by a right mouse click and choose Transform Selection. Hold the ALT key and scale the selection down to leave a border. Fill this selection with #dcbd88 and change the blending mode to Multiply.



Steal an image of Darth Vader from Google Images and paste it into the working document. We’ll have to rebel against copyright in this tutorial and hope the Disney empire doesn’t strike back! Desaturate the image, then go to Filter > Noise > Add Noise. Enter 5% with the Gaussian and Monochromatic options checked.



To give the image a photocopied appearance, go to Filter > Sharpen > Smart Sharpen. Adjust the settings to 400%, 15px radius and 0% noise reduction.



Use the Polygonal Lasso tool to roughly trace around the outline of Darth Vader, then go to Select > Inverse and hit the Backspace key to remove the background.



Download my old Rough and Grungy Photoshop Brushes (or my more recent Dry Brush Strokes) and adjust the size and angle from within the Brushes panel to deface the image of Darth Vader.



Use a display font to add some hand-drawn typography to the artwork. I’m using the lovely font Againts, which has a messy hand painted brush style.



To produce realistic hand-drawn typography, it used to be necessary to physical draw and scan the text yourself, but many premium display fonts now have alternate characters so any duplicate letters can be given a different appearance.



Paste in an image of some Stormtroopers underneath the Darth Vader layer and scale them to size so they’re visible at either side of Darth Vader’s head Since we’re going for the low-quality look, it doesn’t really matter if the image has a low resolution. Desaturate the picture and add 5% of grain, just like the previous steps.



Continue to add a Smart Sharpen filter to produce the photocopied look, but adjust the Amount value to 250% to avoid blowing out the whites too much.



Use the Polygonal Lasso tool to trace around the outline of the Stormtroopers to represent a rough cut out done with scissors, then Inverse the selection and delete the background.



Select one of my Photoshop Brushes and reduce the size to fit over the Stormtrooper’s head. Change the angle so the brush flows diagonally, then place two separate brush impressions to form a cross. Mix up the brush selection each time to avoid repetition.



Open up the original paper texture in a new Photoshop document and draw a rough rectangular selection using the Polygonal Lasso tool. Copy and paste this clipping into the working document.



Use the Type tool to add some more text to the artwork. Posters of this style would often use ransom style letter cuttings from a newspaper, but the Blackout Noon font used here provides a distressed low-quality print effect.



Press CMT+T and scale the background strip to roughly fit around the text. Angle both the text and the paper strip slightly to enhance the unrefined look.



Double click the paper strip layer and set up a Drop Shadow using the settings black, Linear Burn, 35% opacity, 2px Distance, 1px Spread and 3px Size to give the impression that the text has been cut and pasted onto the page like a collage.



Continue typing out the wording ‘Destroy the Empire’, using separate text elements for each word so they can be individually angled and offset. Add a paper strip background for each one and copy the layer style between them.



The same text effect can be applied elsewhere on the poster design, but with the background strips inverted (CMD+I) and the text set in white.



Download a copy of the Rebel Alliance logo and position it on the poster design. CMD+Click the layer thumbnail to load its selection, then go to Select > Modify > Feather. Add a 10px radius, then turn off the visibility of this layer.



Create a new layer, then use my free Spray Paint Photoshop Brushes to fill the selection with red (#cc0705). Use the fine edge of the spray brush so the selection isn’t filled with a solid colour.



Change the brush to a different spray paint splatter and reduce the size to fit within the logo, then add some oversprays around the edges.



Load the selection of the original logo layer, then use a spray paint brush to softly fill in portions of the selection with a crisper edge.



Reduce the fill amount of the layer to 96% to allow the underlying elements to show through slightly, which finishes off a realistic spray painted stencil effect.



Paste in a copy of the Imperial logo, then draw a circle with the Ellipse tool. Set up a large red stroke to form the foundation of a ‘No’ symbol.



Draw a diagonal line to finish the symbol by matching the size to the weight of the circle’s stroke, then select both shape layers and Rasterize them, followed by the shortcut CMD+E to merge them into one layer.



Load the selection of the symbol layer, feather the selection and follow the previous steps to create a spray-painted stencil effect for this element.




Repeat the process with the Imperial logo, except this time use black to contrast against the red symbol. Due to the smaller scale and higher detail of this logo, only feather this selection by 5px.



To finish off the artwork with more grungy textures, make a duplicate of the paper background and drag it to the top of the layer stack. Add 5% of Noise from the filter menu.



Change the blending mode to Multiply, then add a Smart Sharpen filter to bring out the details and boost the contrast. Keep an eye on the preview and balance the Amount to provide the desired result. 100% gave a nice mix of grainy tones while not being too overpowering.

How To Create a Grungy Star Wars Propaganda Poster in Photoshop

The final design captures the style of those grungy gig flyers and revolution posters by mimicking the low-cost production methods in digital format with a variety of resources and filters. The limited colour palette, photocopy print effects and collage style all enhance this visual aesthetic, which makes the Rebel Alliance seem like the anarchists of the galaxy!

Tuesday, 25 February 2014

Real Men Underwear Ads



posted on 


Because let’s face it: David Beckham’s body is intimidating.
1. Armani model and Real Madrid footballer Cristiano Ronaldo (he’s on the right).

Armani model and Real Madrid footballer Cristiano Ronaldo (he's on the right).

2. Dolce & Gabbana model David Gandy.

Dolce & Gabbana model David Gandy.

3. Calvin Klein model and retired Swedish footballer Freddie Ljungberg.

Calvin Klein model and retired Swedish footballer Freddie Ljungberg.

4. David Beckham for H&M.

David Beckham for H&M.

5. The anonymous real men.

The anonymous real men.

3 Minutes That Show How The Media Failed Women In 2013



posted on 



From The Representation Project, a movement that aims to “expose injustices created by gender stereotypes.”

In general, 2013 was a great year for women in the media.

In general, 2013 was a great year for women in the media.
Time Magazine / Via sinuousmag.com

There was a record number of female directors nominated for Emmys.

There was a record number of female directors nominated for Emmys.
Getty / Dan MacMedan

PBS appointed its first female anchor team onNewsHour, a show that has been on the air since 1975.

PBS appointed its first female anchor team on NewsHour , a show that has been on the air since 1975.
CBS / Via youtube.com

And ESPN aired the Nine for IX film series.

And ESPN aired the Nine for IX film series.
ESPN / Via teamfenom.com

But “some things aren’t changing fast enough,” proposes The Representation Project, which strives to “shift people’s consciousness towards change.”

But "some things aren't changing fast enough," proposes The Representation Project , which strives to "shift people's consciousness towards change."

Because extreme Photoshop is used to promote the Barbie lifestyle.

3 Minutes That Show How The Media Failed Women In 2013

And calling a 9-year-old girl — or anyone, for that matter — the C-word is used for humor.

And calling a 9-year-old girl — or anyone, for that matter — the C-word is used for humor.

And a GOP leader called Miss America a prostitute for standing up against bullying.

And a GOP leader called Miss America a prostitute for standing up against bullying.

And sex appeal is apparently the only way to sell hamburgers.

3 Minutes That Show How The Media Failed Women In 2013

Here is the video that asks why things aren’t changing fast enough.