Sunday, 31 July 2011

Believe it or not

By John Elder, The Sunday Age, July 31, 2011

Illustration: Frank Maiorana.

Trust between the public and the media is eroding and that's bad news for everyone.

FOR more than 30 years as a journalist, I've heard people say, ''You blokes make it all up anyway''. Yet, these same people clearly watch the news on television, follow events in their newspapers and make decisions based on what they hear and read. The question I have to ask myself is why? What do people actually believe and how do they come to believe it? And if they genuinely doubt the veracity of what they are consuming, to what degree does the truth matter to them? It's a conundrum that is only becoming more complex with the rise of the internet. News is a bigger, more frantic and competitive business than ever - and the News of the World phone hacking scandal has further damaged journalistic credibility. People increasingly doubt that the information they consume is completely factual.

According to a study by the Pew Research Centre's project for excellence in journalism, when Osama bin Laden was reportedly shot and killed by US Navy Seals and hastily buried at sea, one in six Facebook pages and twitterings debated if it was a hoax. A significant number believed it to be so. One in 10 blogs similarly frothed with conspiracy theories. Clearly, a big part of the world did not believe the reports they saw on the evening news. The Pew Research Centre, which examined 120,000 news stories, 100,000 blog posts and 6.9 million posts on Twitter, found these doubts continued to hold ''significant'' and consistent purchase for days afterward. While this is mostly a matter of lack of trust in authority - whether President Barak Obama lied to us - it also reflects negatively on the news media that reported it. If bin Laden's death was staged to prop up a wobbly Obama administration, news media organisations are either incompetent, complacent or, to take a stroll on the lunatic fringe, colluding in a massive fraud. But none of this matters to the people drawn to the bin Laden hoax theory. The role of news media as a fundamental pillar of a democratic society isn't what they care about. (I could only find a handful of rants online that accused the media of failing to uncover the ''truth'' of the matter.) For some, the mainstream media was all but irrelevant to one of the biggest stories of the year. How did this come to be?

Social scientists have long argued there is a broad disconnect between journalism and its voracious consumers, where the hole in the transaction is trust. What the bin Laden story illustrates perhaps is how big that hole has become. ''The issue of trustworthiness is increasingly difficult for media outlets,'' says Nick Couldry, professor of media and communications at Goldsmiths, University of London, where he is director of the Centre for the Study of Global Media and Democracy. He points to surveys that show declining levels of trust in journalists and to serious-thinking media critics who question whether news media can reliably deliver truthful information. In a long email discussing the relationship between truth and trust in the media, Couldry cites: Philosopher Bernard Williams, who argued that a disposition towards truthfulness - and specifically a will to strive for accuracy and sincerity - are basic human virtues. ''But he is sceptical about whether media markets can satisfy our needs for truthful shared information,'' Couldry says.

British Guardian journalist Nick Davies, in his 2007 book Flat Earth News, who argues that staff and other resource cuts in the British broadsheet press and press agencies ''mean that there are no longer the resources available for journalists to be truthful, except by accident''. Couldry says Davies' work raises an important question about truth and media. ''What if, as trust in media falls further, we were to come no longer to expect media to be in the business of truth-telling?'' Couldry asks. ''That would generate a deep conflict between the apparent - and officially pronounced - aims of media in a democracy and our expectations of their actual practice.''

The fact is, as Couldry points out, despite the compromised trust, the need for truthful information about what's going on in the world - news - continues to exist. However, if people don't believe fully what they're being told … how do they decide what is true for them? Social researchers and sociologists say consumers have always responded to news emotionally more than cognitively and the truth of the situation will be what their heart tells them. University of New England sociologist Peter Corrigan says: ''We generally need to know very quickly if we can trust somebody and often we don't have complete information. We neither have the time nor the evidence to make a more intellectual judgment - so we are left with emotion as a quick and dirty guide.'' It's somewhere in this gap of partial belief dirtied with distrust that people make up the truth that suits them best. Social researcher David Chalke says: ''Without jumping on the post-post-modern bandwagon, truth, like beauty, has always been in the eye of the beholder.'' Chalke is the head of AustraliaSCAN, an annual monitor of cultural change in Australia that started in 1992. This pulse-taking includes the level of confidence that adult Australians have in various institutions and bodies.

According to the 2010 survey:

  • 12 per cent of Australians have a great deal of confidence in news reports in newspapers. By comparison, ASIO scores 11 per cent. Radio and television reports do a little better at 14 per cent (the same as the federal government).
  • Chalke says the electronic media earns the extra 2 per cent because it's more immediate. Journalists, however, score a measly 4 per cent, the lowest of the low. Trade union officials score 6 per cent. These attitudes are ruthlessly indiscriminate, says Chalke.

It’s not only tabloids or news media at large that have suffered a steady decline in reputation over the past 15 years - in tandem with the rise of the internet - but also consumer advocacy publications such as Choice magazine. Chalke says: ''Choice is now regarded to have become an elite propagandist machine, while confidence in recommendations from local shopkeepers has gone up. People trust somebody they can eyeball.'' It's not that most people have completely written off news media as rubbish, but rather that public trust exists on a sliding scale. ''Most people say they have some confidence, but they reserve the right not to believe what they're reading,'' he says.

David Braddon-Mitchell, a senior lecturer in philosophy at Sydney University, wonders if intellectual laziness and a form of cool snobbery by the consumer also play a role. ''My guess is that we live in a time when possibly more genuinely true and interesting material is available through the old and new media, but no one is prepared to believe much of it, even what's reputable, because believing anything is uncool.'' Braddon-Mitchell believes this attitude assists a lazy rejection of truth as a goal to aspire to. ''I say lazy because I think that's the motivation … much easier to say, 'Well that's your truth and I've got my truth'. Then no more actual thinking has to be done.'' Brian McNair teaches journalism, media and communications at the University of Queensland. He believes media audiences approach their news and journalism with quite a sophisticated understanding of its potential flaws. ''The UK, where I've just come from, has been through many scandals and debates about the limits of truth, even on esteemed channels like the BBC,'' he says. ''There is, however, a legitimate expectation that journalists do not lie, even in the popular end of the press. A commitment to truth is still an essential part of the contract between the journalist and his or her reader/viewer and without it journalism loses its value.''

At the top end of the tree, the truth, and the appearance of telling the truth, seem to matter a great deal. Fabrications and plagiarism by reporters at The New York Times (Jayson Blair in 2003) and The New Republic (Stephen Glass in the late 1990s) were not only major scandals, they sparked a lot of angst and a review of practices at both publications. Closer to home, Channel Seven reporter Mike Duffy last year threatened to sue journalist Paul Barry for defamation after Barry accused Duffy of a ''shocking beat-up''. Duffy's story about the lack of security for the Commonwealth Games in Delhi was picked up by news agencies around the world. It featured Duffy acquiring a detonation unit in a suitcase that he then carried into a reportedly restricted area outside the Games stadium. Paul Barry, hosting Media Watch, alleged the detonation unit was a fake and the suitcase was empty when Duffy walked into the stadium area that was not at that time in ''lockdown''. At one point, Channel Seven offered The Sunday Age interviews with Duffy and the network head of news and current affairs, Peter Meakin, and access to all the footage from the story. We declined to do so while legal threats were in play. Months later, Barry says he ''hasn't heard a squeak'' from Seven and believes the lawsuit has been dropped. Last week, a Channel Seven spokesman said they could no longer help with this story.

At the racier end of the market, however, some news outlets appear to have given up even trying to be truthful if there's a dollar to be made in doing otherwise. Late last year, a week after Barry gave both barrels to Duffy, Media Watch thumped Woman's Day for fabricating a cover story about actor Kate Richie's wedding. The apparently exclusive photographs of the bride and groom's September 2010 wedding were in fact taken at the 2009 AFI awards and crudely Photoshopped to make it appear as if the happy couple were on the verandah of the wedding venue. The magazine also provided a breathless eyewitness account of the ceremony: ''The dappled golden sunlight streams through the massive glass windows catching the tears gently pooling in Kate Ritchie's eyes as she gazes at the man she adores … and says, 'I do'.'' The story was as bogus as it was cheaply lyrical. It had to be: the magazine's scheduling meant the edition was printed one or two days before the wedding even took place. At the end of his report, Barry raged at this flagrant bucketing of the truth: ''In the media, it's the bottom line that really counts.'' Woman's Day editor Fiona Connolly didn't respond to emails or phone calls from The Sunday Age. However, there was a curious development in the wedding affair that suggests the social scientists are on to something: the truth is an elastic toy in the hands of some consumers, if only because they half expect to be lied to in the first place. A Woman's Day reader, M. Clements, of Albany, Western Australia, had been awarded the $50 letter of the week prize by the magazine for praising the wedding story. ''There is nothing like a good wedding to lift the spirits,'' she wrote.

Media Watch contacted Ms Clements and asked if she was concerned the magazine had deceived her. She replied: ''It wouldn't bother me that much actually because it's media so, yeah, I'm not that stupid as to realise everything's true in the magazine.'' With a shake of his craggy head, Barry seemed genuinely dismayed: ''Remarkable isn't it? Just tell me a story, who cares if it's true?'' Well, it depends on what kind of truth you are talking about. Jonathan Marshall, an anthropologist with the University of Technology, Sydney, says it's fundamental that people tend to consume information in a fashion that meets their own needs. ''People are likely to judge information by what they already know, or the purposes they have for it,'' Marshall says. ''For the person who liked the wedding story in Woman's Day, it was a good wedding story about people she cared about … The real story would not have worked so well.'' This isn't an ivory tower notion. As one viewer wrote on Media Watch's online forum: ''The people who read Woman's Day got exactly what they wanted - more so perhaps than if it had been a true account - and since they're probably not Media Watch types, there's not much chance of their investment in such a dopey reality being challenged any time soon.''

In the grand scheme of things, does a fraudulent wedding story in Woman's Day matter that much? Couldry reckons it does. ''Small scandals well beyond the broadsheet press can matter a lot, depending on their details, because they may disturb people's broader assumptions about the point of media operations, and so our point in consuming media,'' he says. Braddon-Mitchell agrees. ''I'm pretty sure it does have a knock-on effect,'' he says ''The horrible truth is that lots of readers of Woman’s Day don't really know it's trash and take it seriously. When they get disillusioned, they don't draw a distinction between Woman's Day and the ABC. They just form the view that in this corrupt world of ours, what you read is no guide to the truth. And then that's what they start to tell everyone they know and the cynicism spreads.''

Read more: http://www.theage.com.au/national/believe-it-or-not-20110730-1i5fy.html#ixzz1TdF0uHkP

Saturday, 30 July 2011

House Committee Approves Bill Mandating That Internet Companies Spy on Their Users

Legislative Analysis by Rainey Reitman


Despite serious privacy concerns being
voiced by both Democratic and Republican leaders and by thousands of digital rights activists using EFF's Action Center, this afternoon the House Judiciary Committee voted 19 to 10 to recommend passage of H.R. 1981. That bill contains a mandatory data retention provision that would require your Internet service providers to retain 12 months' worth of personal information that could be used to identify what web sites you visit and what content you post online. EFF had previously joined with 29 other civil liberties and consumer privacy groups in signing a letter to the Committee members that condemned the bill as a "direct assault on the privacy of Internet users."

EFF Senior Staff Attorney Kevin Bankston had this to say about today's vote: The data retention mandate in this bill would treat every Internet user like a criminal and threaten the online privacy and free speech rights of every American, as lawmakers on both sides of the aisle have recognized. Requiring Internet companies to redesign and reconfigure their systems to facilitate government surveillance of Americans' expressive activities is simply un-American. Such a scheme would be as objectionable to our Founders as the requiring of licenses for printing presses or the banning of anonymous pamphlets. Today's vote is therefore very disappointing, but we are especially thankful to GOP Representatives Sensenbrenner, Issa and Chaffetz, who chose principle over party-line in opposing this dangerous tech mandate. We hope that bipartisan opposition will grow as the bill makes its way to the House floor and more lawmakers are educated about this anti-privacy, anti-free speech, anti-innovation proposal.


Please help us defeat this legislation before it is made law by
contacting your Representative today.


Related Issues: Mandatory Data Retention, Privacy


[Permalink]

Wednesday, 27 July 2011

Sound Librarian

I recently stumbled across this website after seeing Stephan Schultz give a lecture on Why Sound Matters on YouTube [click here to view his lecture in 5 parts]. In it he mentions his project "Sound Librarian" a great, free sound library for schools and amateurs. Below is the text from their Home page. Please check it out, it is an amazing body of work, a great resource and the result of a passion for helping students to learn how to utilise sound.
Welcome to Sound Library a free online audio resource centre with over 17,000 high resolution sound effects. Sound library also includes tutorials, equipment reviews and a blog that spans five years and three continents.

My goal is to create a large online audio resource centre that is beneficial to all users from students and amateur users to casual professional users and large studios with a regular need for high quality material. By offering the entire library free in its download format as well as offering DVD sets for purchase I can provide a high quality resource for students and casual users to access free, while professionals gain instant access to the complete library for well below the average cost of high quality professional sounds.
Picture
There are two main motivations for creating Sound Library in this way,

Firstly I am tired of living in a world where people produce poor quality goods and services and still charge top dollar for them. I am proud of the work I do and I will stand by its quality. I will always make all the content I record available at its highest quality free to download. It is completely impossible to protect digital data from piracy anyway so rather than waste time and effort trying to prevent the unpreventable I would rather spend my time creating useful assets that people can use. If someone wants to access digital data without paying for it they will, if however they feel they are getting good service and a good quality product I believe most people will appreciate the value of that service.

The second reason for Sound Library is to create the kind of resource that didn’t exist when I was studying. I want to create a large, useful, high res sound library for students, teachers or anyone interested in audio design.
The site will continue to grow regularly with more sounds (at least 100 a week), new tutorials, gear reviews, journal entries as well as exhibits, video journals and projects logs. I would like to create a community around the site that can be a useful educational resource for audio for film, TV, radio, games and media production.
Picture
This is what I do, and this is what I love doing. Sound and music recording, design and creation are my passion and if you are not doing something you are passionate about then you may be wasting your life. I have created Sound Library to give people the tools and some of the knowledge to help them create their own audio material. Sound Library is available for everyone, both amateur and professional to access and use in project production.

80 students suspended over web security breach

Posted July 25, 2011 21:09:31ABC Newshttp://www.abc.net.au/news/2011-07-25/high-school-students-suspended-over-internet-security-breach/2809744


Eighty students at Prairiewood High School in Sydney's south-west have been suspended for illegally accessing a teacher's internet account. A statement from the New South Wales Education Minister says the students logged into the teacher's departmental computer account to access sites like Facebook and Twitter, which students are not allowed to view from their own accounts.

The statement says no illegal, pornographic or student record material was accessed, but police were called. The 80 students have been suspended for four days. They will have to attend a meeting where they will be warned by police about the criminality of accessing computer material without authorisation. All Prairiewood High School teachers have now changed their computer passwords and have been reminded about following appropriate IT security measures.

Wednesday, 20 July 2011

News Corp paid out $655m for corporate wrongs

by David Carr NEW YORK TIMES July 20, 2011

RUPERT Murdoch's News Corporation has paid about $655 million ($A617 million) to make embarrassing charges of corporate espionage and anticompetitive behaviour go away. It spent $500 million just days before a case against News America Marketing, its obscure but profitable in-store and newspaper insert marketing business, went to trial. Valassis Communications, had already won a $300 million verdict in Michigan, but dropped the lawsuit in 2010 in exchange for $500 million and an agreement to cooperate on certain ventures. That single payout to Valassis represented one-fifth of the company's net income that year and matched the earnings of the entire newspaper and information division of which News America was a part.

In 2006, the state of Minnesota had accused News America of engaging in unfair trade practices, and the company settled by agreeing to pay costs and not to falsely disparage its competitors. In 2009, a federal case in New Jersey brought by a company called Floorgraphics went to trial, accusing News America of hacking its way into its password-protected computer system. The complaint summed up the ethos of News America nicely, saying it had "illegally accessed plaintiff's computer system and obtained proprietary information" and "disseminated false, misleading and malicious information'' about it.

Floorgraphics stated that the breach was traced to an internet address registered to News America and that after the break-in, Floorgraphics lost contracts from Safeway, Winn-Dixie and Piggly Wiggly. Much of the lawsuit was based on the testimony of Robert Emmel, a former News America executive who had become a whistleblower. After a few days of testimony, News Corporation had heard enough. It settled with Floorgraphics for $29.5 million and then, days later, bought it, even though it reportedly had sales of less than $1 million.

News America was led by Paul V. Carlucci, who, according to Forbes, used to show the sales staff the scene in The Untouchables in which Al Capone beats a man to death with a baseball bat. Mr Emmel testified that Mr Carlucci was clear about the guiding corporate philosophy. According to Mr Emmel's testimony, Mr Carlucci said that if there were employees uncomfortable with the company's philosophy - "bed-wetting liberals'', in particular, was the description he used - he could arrange to have those employees sacked. Mr Carlucci was later promoted - he became the publisher of the tabloid New York Post in 2005. He continues to serve as head of News America.

Mr Murdoch has recently stated his desire to "absolutely establish our integrity'' in the eyes of the public. A representative for the News Corporation did not respond to a request for comment. Keeping a lid on News America turned out to be a busy and expensive exercise. At the beginning of this year, News Corp paid out $125 million to Insignia Systems to settle further allegations of anticompetitive behaviour and violations of antitrust laws. On the other side of the Atlantic, according to The Guardian, whose reporting pulled back the curtain on the phone-hacking scandal, News Corporation paid out $1.6 million in 2009 to settle claims related to the scandal. While expedient, and inexpensive - the company still has gobs of money on hand - the strategy may have backfired in the long run. If some of those cases had gone to trial, it would have had the effect of lancing the wound. Litigation can have an annealing effect on companies, forcing them to re-examine the way they do business. But as it was, the full extent and villainy of the hacking was never known because News Corporation paid serious money to make sure it stayed that way. But the money the company reportedly paid out to hacking victims is chickenfeed compared with what it has spent trying to paper over the tactics of News America.

Even as the flames of the scandal begin to edge closer to Mr Murdoch's door, anybody betting against his business survival will most likely come away disappointed. He has been in deep trouble before and not only survived, but prospered. The News Corporation's reputation may be under water, but the company itself is very liquid, with $11.8 billion in cash on hand and more than $2.5 billion of annual free cash flow.

Read more

Phone Hacking Scandal News Update of the Day

What You Need To Know:

• Main Event: Rupert Murdoch and his son James testify before the Commons select committee on culture, media and sport; the Murdochs apologize to phone hacking victims in opening statement they weren’t allowed to read; Rupert Murdoch calls today “the most humble day of my career” (see video below), but refuses to accept responsibility for scandal; Murdoch says he “seldom” speaks with his editors, isn’t very involved, but has no plans to resign; News International’s legal fee aid to convicted phone hackers Clive Goodman and Glenn Mulcaire,alleged to be hush money, surprises James Murdoch; are Glenn Mulcaire’s legal fees still being paid? Possibly; James Murdoch admits paying to settle out of court with phone hacking victim Gordon Taylor, stands by his decision; Rupert Murdoch says PM Cameron invited him to Downing Street to thank him after election, asked him to use back door.
• From Rebekah Brooks’ testimony: The former News of the Worldeditor and News International chief executive “clarified” her 2003 statement on having “paid the police for information,” saying she never “knowingly” sanctioned payments to police for information, but “was referring to various crime editors on Fleet Street discussing payments to police officers”; claims to have had no knowledge of Milly Dowler phone hack until two weeks ago (despite strong evidence suggesting otherwise); said the use of private investigators was/is widespread in the British newspaper industry.
• From earlier testimonies: Former Metropolitan Police commissioner Paul Stephenson: “Damnably unlucky” that former News of the Worldexecutive editor Neil Wallis worked for spa; former Metropolitan Police assistant commissioner John Yates: received “categorical assurances” on potential embarrassments before hiring Wallis. (The Guardianreported today that, according to a Tory Party statement, Wallis provided “informal advice” to PM Cameron’s former communications director Andy Coulson prior to last year’s election.)
Further Reading:
• Elsewhere: A misrepresentation of a passage from CNN host Piers Morgan’s book The Insider by Conservative MP Louise Mensch during Brooks’ testimony suggests that Morgan admitted to phone hacking; Morgan took to Twitter to blast Mensch: “She clearly hasn’t read my book.”
• #humblepie: Rupert Murdoch gets a face full of shaving foam during his testimony, courtesy of comedian Jonnie Marbles; James Wolcott is not amused: “this guy has made Murdoch senior look vulnerable and sympathetic and Wendi heroic. Well done, fool“; Related: Wendi Deng’s Five Best Enraged Expressions.
• Counter-Hacking: LulzSec: We have a large cache of News Corp. emails, will be releasing them tomorrow; Sabu: “New York Times, Forbes, LA Times, we’re going in“; how LulzSec hacked The Sun‘s website.
• Misc: Interactive Infographic: Phone-hacking scandal: Who’s who;Mad Magazine: Rupert Murdoch’s Apology Letter.

Tuesday, 19 July 2011

Brooks husband tries to reclaim mystery computer found in trashcan near home

by Rob Beschizza via Boing Boing, Jul 18, 2011


The husband of former
News of the World editor and Murdoch lieutenant Rebekah Brooks tried to claim possession of a computer, papers and cellphone discarded in a trashcan near her home today. He claims it is his computer, not hers, and that he "left the bag with a friend" who "dropped it in the wrong part of the garage" where the bin is. Someone handed it in to garage security, which gave it to police. From The Guardian:

Detectives are examining a computer, paperwork and a phone found in a bin near the riverside London home of Rebekah Brooks, the former chief executive of News International. ... It is understood the bag was handed into security at around 3pm and that shortly afterwards, Brooks's husband, Charlie, arrived and tried to reclaim it. He was unable to prove the bag was his and the security guard refused to release it.


Losing your computer in the trash immediately after your wife's arrest on suspicion of conspiring to intercept communications?
Really?


Police examine bag found in bin near Rebekah Brooks's home

Wednesday, 6 July 2011

Review of Transformers 3: Machines are Subjects, Women are Objects, and Female Leadership is a Joke

By Caroline Heldman, Sociological Images

Transformers: Dark of the Moon,” the third instalment in this $1.5 billion franchise that just set a new record for a Fourth of July weekend opening, follows what has become a Hollywood action movie tradition of virtually erasing women, despite the fact that women buy 55% of movie tickets and market research shows that films with female protagonists or prominent female characters in ensemble casts garner similar box office numbers to movies featuring men.

Only two featured characters in the large ensemble Transformers cast are women, and none of the Transformers (alien robots, for the uninitiated) are female. And the two female humans consist of an unmitigated sexual object and a caricatured mockery of female leadership. Let’s start with “the object,” Carly (Rosie Huntington-Whiteley), the one-dimensional, highly sexualized damsel-in-distress girlfriend of protagonist Sam Wikwiki (Shia LaBouef). Carly wears stiletto heels, even when running from murderous machines (except when the filmmakers slip up and her flats are visible), and she is pristine in her white jacket after an hour-long battle that leaves the men filthy. The movie opens with a tight shot of Carly’s nearly bare ass as she walks up the stairs:




In a later scene, Carly is reduced to an object as her boss (Patrick Demsey) compares her to an automobile in a conversation with Sam:




And in case the audience doesn’t know to leer at Carly, they get constant instruction from a duo of small robots that look up her skirt and Sam’s boss (John Malkovich) who cocks his head to stare at her ass:




Sam’s “friend,” Agent Simmons (John Turturro), also ogles Carly and suggests she be frisked against her will:




In a disturbing scene of sexualized violence, Carly’s (robot) car sprouts “arms” and threatens to violate her:




Normalization of female objectification causes girls/women to think of themselves as objects, which has been linked to higher rates of depression and eating disorders, compromised cognitive and sexual function, decreased self-esteem, and decreased personal and political efficacy. Ubiquitous female sexual objectification also harms men by increasing men’s body consciousness, and causes both men and women to be less concerned about pain experienced by sex objects. Transformers 3 is pitched as a “family movie” and the film studio carefully disguises it as such with misleading movie trailers showing a story about kid’s toys. (Okay, I still have an Optimus Prime robot…) Young kids were abundant at both screenings I attended, taking in the images with little ability to filter the message.

It would have been easy for Michael Bay to positively present the second female character, Director of National Intelligence Charlotte Mearing (Frances McDormand). Instead, she is a tool to openly mock female leadership and promote female competition. McDormand does her best to breathe some realism into Director Mearing, but the script calls for a caricature with “masculine” leadership traits – arrogance, assertiveness, stubbornness, etc. who is ultimately “put in her place” at the end of the movie with a forced kiss. Women continue to be vastly under-represented in positions of corporate and political leadership, partially due to the double bind of women’s leadership where, in order to be considered acceptable leaders, women have to project a “masculine” image for which they are then criticized.


Director Mearing’s authority is challenged by virtually everyone she encounters in a way that simply wouldn’t make sense for a male character in her position. Sam openly challenges her in this scene:




Director Mearing’s authority evaporates when Agent Simmons comments, ”moving up in the world, and your booty looks excellent”:




Director Mearing is even challenged by a transformer. [SPOILER ALERT: Director Mearing is the only one to challenge this transformer’s intentions, and she gets no credit when it turns out she was right.]



This Transformer again puts her in her place with the dual meaning of “I am a prime. I do not take orders from you”:




Director Mearing also has a running theme of not wanting to be called “ma’am.” The “ma’am” theme doesn’t readily make sense since Director Mearing isn’t young and doesn’t appear to be trying to look young. But it does make sense when viewed through the lens of director Michael Bay intentionally mocking women’s leadership. Remember the flap when Senator Barbara Boxer at a hearing requested that a general use her professional title instead of “ma’am”?:




The “ma’am” theme resurfaces in a particularly troubling scene where Director Mearing meets with Sam and Carly, who, in good double-bind fashion, challenges whether she is even a woman:




Bay does include a few minor female characters with lines – Sam’s mother, the nagging mother/wife; Director Mearing’s subservient Asian assistant; a scene with both the “Olga” and “Petra” Russian woman stereotypes; and a Latina with a bare midriff who has a “Latin meltdown”:




If Michael Bay can buy off the most accomplished actors and even musician/social activist Bono to participate in such harmful media, what hope is there in the war that pits girls/women (the Autobots) against unrepentantly sexist movies makers (the Deceptacons)?

Monday, 4 July 2011

Plot Device: a filmmaker's fondest dream and worst nightmare

A young filmmaker obtains a mysterious device that unleashes the full force of cinema on his front lawn.

Director: Seth Worley

Executive Producer: Aharon Rabinowitz

“Plot Device,” a nine minute short film directed by Seth Worley, and executive produced by Red Giant’s own Aharon Rabinowitz. Aharon and Seth co-wrote the film, working together in close collaboration throughout the project. Plot Device was created to demonstrate first hand the high caliber work that can be created when using Magic Bullet Suite 11, even on a limited budget.


Plot Device from Red Giant on Vimeo.