Wednesday, 25 April 2012

How the press is distorting the Breivik trial to make video games central to the narrative


By  at 8:00 am Friday, Apr 20

On Rock, Paper, Shotgun, John Walker tears into the mainstream press's treatment of mass-murderer Anders Breivik's video-game habits. Breivik's gaming has been prominently mentioned in press accounts, and the Norwegian prosecutor also called attention to it. Breivik himself described his World of Warcraft sessions as a "martyrdom gift," a "sabbatical year," and stated that he played to unwind after a difficult stretch of work in planning his atrocities and writing his 800,000 word manifesto.
Later, Breivik talks about using Modern Warfare to prepare for his massacre, calling it "a simple war simulator." But as Walker points out, Breivik's description of what he did with the game in order to train for his assault doesn't actually jibe with the way that the game works -- Breivik describes doing things that the game doesn't do. Walker points out that most of Breivik's statements about his motives and inspiration are treated skeptically by the press and prosecutors, but where Breivik describes using games to prepare for slaughter, his statements aren't just taken at face value, they are enthusiastically amplified and elaborated.
Walker shows that this reporting slant is widespread, across different news entities with different audiences, from CNN to The Irish Times to Al Arabia News. It seems like the press has already made up its mind about what role games play in social violence, and will cherry pick and even distort facts to support that narrative.
That’s not what Modern Warfare is, or lets you do. The scripted corridors, nor the multiplayer, offer no useful practice for any such actions, and don’t allow you to simulate practising killing policemen in the manner Breivik describes. There is of course the infamous No Russian airport level, in which you play as an undercover agent with terrorists, and are able to shoot (or not shoot) civilians and policemen, but I think it’s unreasonable to suggest that it offers what Breivik claims. Of course there are many other shooters out that that would let you create your own specific scenarios, attempt to rehearse escaping from armed forces, and so on. But Breivik, in keeping with much else of his rhetoric, doesn’t make much sense here. It is very unfortunate that while a sceptical press has been enjoying picking over his comments about being a member of the Knights Templar, and disproving them, they see no need to question his remarks on using Call Of Duty as a simulator for combating armed police in real life. Instead here it’s assumed he’s being honest and clear-headed. It’s also important to note that Breivik’s memoir makes it clear that he only played MW2 after he had entirely planned the attacks, and it was in no way influential on his decision to kill anyone.
The same Times report then explains how Breivik named all his guns, citing El Cid for having done the same for his favourite sword, but oddly doesn’t then condemn the learning of history. Instead, astonishingly, it just reports the names for all the weapons, and doesn’t even mention the possible concern that he was in possession of them. They also don’t mention the enormous detail written in the manifesto about how these guns were legally and illegally acquired, and the enormous amount of time he spent at shooting ranges, practising firing them. Factors that, you would imagine a journalist reporting on how he had trained for his attacks, would think relevant to bring up. But no, instead, only Modern Warfare and World Of Warcraft are mentioned.
Yet again I feel compelled to repeat the refrain: were gaming genuinely a dangerous factor, something that could cause someone to become a murderer, we would want to know about it, and you can damn well believe we’d be reporting on it. What more serious matter could there be for gamers than to be aware of this? This is not about defending gaming, but about defending truth, and truth in reporting. And it is woefully lacking in the so-called respectable papers over this matter. The headline in the Times bears no relation to what is actually said by Breivik. It obfuscates the year he spent playing WoW to give himself a rest with the couple of months he spent with Modern Warfare, and it ignores the huge amount of time he spent actually practising firing real weapons. While taking massive amounts of steroids.

Saturday, 3 March 2012

Media inquiry calls for single watchdog


By Kylie Simmons

Updated March 02, 2012 21:11:20
An inquiry into Australia's print media has recommended a new council to oversee all news media organisations.
The News Media Council would be government-funded and would regulate print, radio, TV and for the first time, online.
The inquiry was set up in the wake of Britain's phone-hacking scandal.
In September the Federal Government asked former Federal Court justice Ray Finkelstein QC to lead an independent inquiry into the Australian media.
After months of hearings he has released his findings, with his main recommendation to establish the council, setting new journalistic standards for all media.
The council would take away responsibility for news and current affairs from the Australian Communications and Media Authority (ACMA), which looks after broadcasting, and it would also take away responsibility from the Australian Press Council.
The report found the Press Council suffers from serious structural constraints and that ACMA's complaints-handling processes were "cumbersome and slow".
The new council would also handle complaints by the public when standards are breached and it would have the power to make media organisations publish an apology, a correction or retraction or give a complainant a right to reply.

Support 'quality journalism'

Greens leader Bob Brown played an integral role pushing for the inquiry after the News Of The World hacking scandal broke in the UK.
"What [Justice Finkelstein is] looking at here is not punitive action on the media in terms of fines or imprisonment, but rather remedy of inaccuracies or falsehoods or slander if that occurs to people and they're hurt by it," Senator Brown said.
"And I think the public will be right behind that. The best way to do that is to require news outlets where they've made a mistake to remedy it.
"I think that we have an inadequate system of serving the public interest and truth, which are the two first things mentioned in the journalist code of ethics in this country at the moment, and I think this is a big step towards fulfilling the journalists' code of ethics and making sure that quality journalism is supported."
Press Council chairman Professor Julian Disney says its future is now in the hands of publishers.
"I think the problem that Mr Finkelstein faced is that he understandably felt that at least some of the publishers were not willing to provide the extra resources and other support that we need to be able to perform effectively," he said.
"I think it's clear from the report that is really the main reason why he then went for another approach and I think that clearly lays down a challenge now for the publishers.
"Do they want to avoid the kind of body he proposes, which is created by government and entirely funded by government and has quite some risks of excessive legalism?
"If they do, then they're going to have to provide more resources and more support and accept that we need some firmer powers. So really the ball is now in their court."
Conroy meeting
Key publishers are planning to meet Communications Minister Stephen Conroy in the coming weeks.
Senator Conroy has released a statement saying the recommendations will be considered but no action is likely to be taken until a wider review of the media is completed later this month.
The convergence inquiry is examining a range of regulatory issues across broadcasting, radio and telecommunications.
Opposition communication spokesman Malcolm Turnbull says a News Media Council does not appeal to the Coalition.
"The segment of the media that is most criticised for lacking in accuracy in balance is commercial talkback radio, but it is regulated by ACMA," he said.
"Metropolitan newspapers, on the other hand, are generally regarded as being doing better in terms of accuracy and balance and yet they are completely unregulated.
"So I think those observations, most people would agree with. Why would your conclusion from that be that the way to get more balance and accuracy is to have more regulation?"
Fairfax media issued a statement saying it is pleased the report acknowledges upfront the importance of a free press in a democratic society and that regulation should not endanger that role.
Like many other media organisations, Fairfax is going through the 474-page report and any further comments will be made in the coming days.
First posted March 02, 2012 15:19:18

Tuesday, 14 February 2012

How to make a movie poster

You think you just randomly ended up in that movie-theater seat watching things explode? No, that was the end result of a meticulously crafted propaganda campaign by the movie studio, utilizing all the persuasive powers of graphic design—as wonderfully elucidated in the infographic below, from Colour Lovers, examining the posters from the top 10 blockbusters of 2011. There are lots of interesting tidbits—note the preponderance of sans serif fonts and all caps, and the various textures and sight lines utilized. Did these factors alone fill theaters? Of course not. It helped that almost all of these movies were sequels—expanding on the equity built up in previous ad campaigns. Via Fast Company.

 click to embiggen

Sunday, 12 February 2012

TV Tropes

I recently found a great resource for teaching/learning about Narrative in Cinema Studies, it's called TV Tropes and it has heaps of links and information. But hey, enough of my yackin' Let's see what they have to say on their homepage.

What is this about? This wiki is a catalog of the tricks of the trade for writing fiction.
Tropes are devices and conventions that a writer can reasonably rely on as being present in the audience members' minds and expectations. On the whole, tropes are not clichĂ©s. The word clichĂ©d means "stereotyped and trite." In other words, dull and uninteresting. We are not looking for dull and uninteresting entries. We are here to recognize tropes and play with them, not to make fun of them.

The wiki is called "TV Tropes" because TV is where we started. Over the course of a few years, our scope has crept out to include other media. Tropes transcend television. They reflect life. Since a lot of art, especially the popular arts, does its best to reflect life, tropes are likely to show up everywhere.


We are not a stuffy encyclopedic wiki. We're a 
buttload more informal. We encourage breezy language and original thought. There Is No Such Thing As Notability, and no citations are needed. If your entry cannot gather any evidence by the Wiki Magic, it will just wither and die. Until then, though, it will be available through the Main Tropes Index.

We are also not a wiki for bashing things. Once again, we're about 
celebrating fiction, not showing off how snide and sarcastic we can be.

Enough about what we are not. Go on, have a look at the 
welcome page, and have fun!

Wednesday, 1 February 2012

Television 'misrepresents' young people and older women

Broadcasters negatively stereotype young people and fail to put enough older women on screen, says BBC-commissioned report


by guardian.co.uk, Miriam O’Reilly

The BBC-commissioned report comes just over a year after former Countryfile presenter Miriam O’Reilly won her landmark ageism case against the BBC. Photograph: Rex Features
Broadcasters have been accused of negatively stereotyping young people and failing to put enough older women on screen, according to a BBC-commissioned report.
The survey of viewers and industry experts found that more than 40% of young people were dissatisfied with the way they were portrayed on screen.
Younger viewers complained that they were stereotyped as being "disrespectful" and living "unproductive and vacuous lives".
Older viewers also thought they tended to be stereotyped on television, but of more concern was the lack of middle-aged and older women on the small screen.
The report comes a year after former Countryfile presenter Miriam O'Reilly won her landmark ageism case against the BBC after she was axed from the BBC1 rural affairs show.
"There was a particular and strong concern voiced about the lack of middle-aged and older female representation on television," said the report.
"This view was expressed by both men and women of all ages but was much more ardently voiced by middle-aged and older women who believed that a person develops a 'face for radio' at a certain point in their middle years."
More than a third of women over 55 said there were too few of them on television.
The negative portrayal of older people revolved around the perceived incapacity of old people and "perceptions about a reluctance to move with the times and tendency to moan", said the report.
Viewers accused the media of being "insulting" and "out of step" with the ageing society.
"There is some concern about the way different ages are sometimes at best presented as slightly humorous but exaggerated caricatures and at worst as negative stereotypes," concluded the report.
It said the audience would "welcome more middle- and older-aged women on television providing positive role models and greater genderequality".
The research was commissioned by the BBC on behalf of the Creative Diversity Network, a forum of UK media organisations set up to improve diversity across the industry and chaired by BBC director general Mark Thompson.
It followed O'Reilly's high-profile tribunal victory in January last year.
The former Countryfile presenter parted company with the corporation earlier this month and will launch a support network for women facing discrimination in the workplace next month.
The report, called Serving All Ages and carried out by independent social research institute NatCen, interviewed 180 participants, aged from 13 to 92, as well as industry experts.
It investigated how people felt they were portrayed in relation to their age in the media as a whole, including TV, radio and the internet.